TEENAGE ENGINEERING - OP-1

OP-1. The portable wonder from Teenage Engineering.

Take a close look at the key to the left. It instantly let you record anything you do on the OP-1 to any track of the built-in Tape feature. Record your sound tweaks or beats in real-time. Change speed during recording, or record backwards. Split, lift and join. Make a loop or record a section with Tape Step Recording. You have twelve minutes recording time in normal tape speed and 4 tracks to put your magic on. Turn on Beat Matching to sync tape speed to the internal sequencer. When you change the tape speed the sequenced tempo follows but the pitch of the sound is constant. This is great for creating beats on multiple tracks with different pitch. Join us in our mission to make the Tape a musical instrument in it’s own right!


Everything color coded.

Like everything else on the OP-1 the tape loop keys are color coded to match the loop graphic on the brilliant AMOLED display. For a super intuitive and fast work flow. Take a closer look at the active track. It’s blue. Turn the blue encoder to slide the take? Yes.

All-in-one Wonder.

OP-1 is the all-in-one portable Synthesizer, Sampler and Controller. With additional features like the FM Radio and a G-Force sensor for pitch and bend effects. Beside a fresh and creative approach to sequencing with multiple choice of sequencers, you just have to love the OP-1’s built-in Tape feature.

Portable controller.

Connect it to your computer and control your DAW with the common play, stop, rec, forward and rewind. Use the 4 rotary encoders and 8 x 2 dedicated quick keys for fast selections. Just use them with your software synthesizers. All in a portable package that fits next to the laptop in your bag.

Drag and drop audio.

When plugged in to the mini USB port the OP-1 shows up as a mass storage device. Ready for you to drag and drop audio files between your computer and the OP-1. The 4 tape tracks are available as well as sampled waveforms for you to manipulate. No additional software or drivers required!


Main Features

User friendly Synthesizer.

With 8 different synthesizer engines, the OP-1 can create some really great and unique sounds. You have FM, physical modeled strings (with a twist), Cluster, DRW, Pulse and more. All engines are swappable, so you can have 8 FMs as your sound presets if you want. We have removed as much of the numeric input as we possibly could. All with a color coded and easily understandable interface. No hassle with saving. Everything is always where you left it, even if you turn the power off.

The 8 Synthesizer engines:

FM • String • DRW • Pulse • T10 • Cluster • PSE (Shown above is the Pulse Synthesizer engine.)
FM demo


Sound Architecture
Exchangable Architecture.
When you create a sound on the OP-1, you use the keys T1 - T4 to switch between the different sound pages. The example below shows the browser for effects, which is activated by the T3 key.


Super friendly Sampler.

We think sampling should be fun and super quick. So we made the sampler simple and inspiring. Use the built in microphone or line-in jack to sample sound or voice. The sampler automatically maps your recorded sample across the keys. If you need to tweak it later just press a key on the musical keyboard and fine tune the in and out points manually. You may also adjust the pitch and choose between different play modes. Record a sample: Press any key on the musical keyboard and the OP-1 turns into stand-by mode waiting for a signal to trig recording. You set the trig level by turning the orange encoder in sampling mode. As soon as the trig level is reached the recording starts. End the recording at any time by releasing the pressed key.


Mixer and Sequencers.

The end station for your sound is the mixer where you set track levels, pan and EQ. Or add a master effect to your recordings. The OP-1 will be shipped with several different types of sequencers. From step to... (More on this matter at the final release)
Envelopes. The classic ADSR envelope is fine, but sometimes you need another way to model the volume of your sound. With the OP-1’s swappable architecture this is no problem. There are several other envelopes for you to choose from. From ADS to ADD to ADHD.

Additional features
Built-in FM Radio.
Tune in a radio frequency, and use it as an unexpected tool for creating beats and sounds.

G-force Motion Sensor.
Combine that rice sound with a x/y/z motion or add rubber chicken legs for a vibratidn sound.

Controller.
Using the USB-port the OP-1 will act as the sleekest midi controller available. Very flexible, TBD!


Designed to be used.
Timeless and functional design. Color coded for easy reading. Keyboard tested for millions of keystrokes. Super bright, high contrast AMOLED for clear display even in direct sunlight. Dimensions: 282 (W) x 102 (H) x 13.5 (D) mm

Engineered to last.
The durable painted aluminium body gives it a solid feel and also works as a protection for the internals.
Noteworthy: The OP-1 has no visible screws.

Techincal details

In and Out’s
On the right side of the case you’ll find the neccasary connectors and the power switch.
Slide to ON power switch.
3.5mm input for line in / external microphone.
3.5mm output for line out / headphones.
USB 2.0 port for hooking up your OP-1 to your computer.
Two holes special machined for carrying strap.
Turn the machine upside-down to find two M6 screw holes for use with our Studio System parts.

ITALIAN LAPTOP ORCHESTRA


The Laptop Orchestra idea born from the desire to reinterpret the computer music meaning, that often means individual work as translation of one’s own composition tension using the digital instrument. This increasing mass movement is the cause of both the emotional charge flattening and the team work content richness impoverishment. Thanks to a new approach and to Roberto Vernetti’s arrangements, the IED Sound Design class students co-ordinated by Painè Cuadrelli with some guests, will develop the concept of multi hands performance where every performer has to develop a single part. We assist to a classic orchestra digital re-visitation playing some Italian pop songs live. The famous conductor Fabio Gurian will drive the ten members in the performance and the Alessio Bertallot will sing the Italian songs. The project takes place from a Dino Lupelli’s idea and INSOUND will be the media partner.

BLIPTRONIC 5000 LED SYNTHESIZER - In the low-cost times..


If HAL 9000 mated with R2-D2 and their electronic offspring was tutored by Kraftwerk it would probably end up something like the Bliptronic 5000 LED Synthesizer.

At once a minimalist musical plaything and a hardcore old-skool synthesizer, the Bliptronic defies categorization as it belts out 8-Bit style style tunes from its grid of glowing buttons.
You'll notice sound similar to a retro Casiotone with an interface not unlike a simplified Yamaha TENORI-ON... if that makes any sense. Either way, once you start touching the keys of the Bliptronic you'll be hooked by it's simple pattern-based approach to music.


Bliptronic Philosophy... in Regards to Music

In the world of the Bliptronic, creating a song revolves around an ever evolving 4-beat pattern. Each row of vertical buttons represents the notes in one octave. Push a button to turn on a note, push the button again to turn off a note. Push multiple buttons in one vertical row to make a chord. The Bliptronic plays whatever you have selected in sequence horizontally across the display. When it reaches the end of the pattern, it repeats. The genius comes as you modify the pattern by turning notes on and off while the pattern is still looping to create evolving electronic melodies


Knobs and Buttons, There are Some

In addition to the grid of glowing LED buttons you'll notice some other controls on the Bliptronic. These allow you to set the tempo (From 60-160 BPM), choose the instrument (From 8 different retro-synth type sounds), adjust the volume and turn looping on or off. A big "play" button at the bottom makes the Bliptronic uh... play. If you hit it again it stops. Yep.





The Bliptronic is a Social Butterfly

One Bliptronic is grand, but more Bliptronics are even grander. An infinite number of Bliptronics can be attached together using the link ports and included cables. When one Bliptronic reaches the end of it's pattern, the next Bliptronic is instantly triggered to start playing. This allows you to make longer songs where each person controls a section of the song. You can even set the tempo and instrument differently on each Bliptronic in the chain to achieve unconventional musical results.









Product Features
  • Unusual retro synthesizer is played with a grid of glowing buttons
  • Create looping patterns and change them dynamically while playing
  • Chain multiple units together and create more complex melodies
  • One octave range. 8 notes can be played simultaneously
  • 8 different old-skool synth sounding instruments to choose from
  • Sounds created using FM waveform synthesis
  • Set the BPM (beats per minute) from 60 to 180 in 20 BPM increments
  • Built in speaker with headphone jack and line-out jack
  • Front panel is constructed from brushed aluminum
  • Includes, manual and 2 link cables for connecting additional Bliptronic units
  • Requires 4 x AA batteries (not included)


SONIC STATES - State Of Indepen/dance

State of Indepen/Dance is the theme chosen for the 9th edition of Club To Club, which -while registering an ever-increasing success that brought the attendance to more than 20,000 people in the 2008 edition- has furtherly consolidated its quality level and contributed to put it on the map of the most prestigious European festivals dedicated to electronic music and cutting-edge creativity.


The concept of independence -creative and musical- will be central in the programme of Club To Club, Torino's International Festival of Electronic Music and Arts, which will take place from Thursday 5th to Saturday 7th November 2009 and will expand even more in the urban area, in extraordinary places such as Teatro Carignano, Mole Antonelliana, Teatro Gobetti, Espace, Lingotto Fiere Padiglione 1, Mirafiori Motor Village, and in clubs like Hiroshima Mon Amour, and at Libertine Supersport in Brussells.
The challenge for Club To Club 09 is to define indipendence by answering the question: whom or what can you be independent from, at the end of the noughties?
Club To Club has created for fun its own currency (tuxel), banknotes (you can see the picture of Karlheinz Stockhausen on the 5 tuxel note, or Arthur Russell on the 99 tuxel one), stamps, passports, its own flag, anthem -exceptionally commissioned to Teho Teardo (who won the 2009 "David di Donatello" award for his soundtrack of Paolo Sorrentino's "Il Divo"), together with promoting the setting-up of an imaginary state -obviously a peaceful one- at Teatro Gobetti, a state called State of Indepen/Dance.
Club To Club takes part as a main feature in "Torino – Piemonte Contemporary Arts", while interacting and planning together with Artissima, Teatro Stabile's Prospettiva 09 (the opening of Club To Club 09 will be exceptionally hosted at Teatro Carignano), Torino 2010 European Youth Capital, Italia 150, Share Festival and View Conference (for the Digital Orbit project), Museo Nazionale del Cinema, CReATE International Conference, PiemonteGroove. Also, after twinning with Berlin (2006), Barcelona (2007) and Rotterdam (2008), this year Club To Club will also be in Brussels, with some innovative productions. Also, thanks to the collaboration of Piedmontese project Wi-Pie, a live video streaming of all involved clubs will be running online and in the clubs themselves.
These are the artists which will take part in Club To Club 09's rich and eclectic programme: Alexander Balanescu (Romania), Blixa Bargeld (Germany), Carl Craig (USA), Chiara Guidi (Italy), Culoe De Song (South Africa), Dj Pierre (USA), Dorian Concept (Austria), Filastine (USA), Francesco Tristano (Luxembourg), Hudson Mohawke (Scotland), Jeff Mills (USA), Joe Goddard degli Hot Chip (England), Jon Hopkins (England), Laurent Garnier (France), Marcel Dettmann (Germany), Martyn (Netherlands), Moritz Von Oswald (Germany), Optimo (Scotland), Pathosformel (Italy), Scanner (England), Seth Troxler (USA), Shed (Germany), Soap&Skin (Austria), Steffi (Germany), Teho Teardo (Italy), The Present (USA), Tim Exile (England), ToDo (Italy) and many artists from the PiemonteGroove community; more artists will be announced in the next few days.
Club To Club will feature international showcases, exclusive projects and partnerships, and in the festival's week it will activate a meeting point at Teatro Gobetti, which will become a temporary art center for projections, sound installations, performances, lectures, especially conceived for the festival on the theme of creative independence.
A Festival preview event, Viva Club To Club, will take place in Milan's IED - Spazio Teatro on 22nd October 2009, organized together with IED and UOVO Festival, and presented by Alfa Romeo MiTo, which is once again this year's festival Main Partner. More "Viva Club To Club" events will happen in Torino, from Wednesday 21st to Saturday 24th at Cinema Massimo, La Drogheria (in Piazza Vittorio), Puddhu Bar (Murazzi area) and the San Salvario area.
Club To Club will be the ideal meeting point amongst different art forms, people, cities, places, all looking for the State of Indepen/Dance. The Tuxel and a sly Stockhausen are inviting you to believe and invest in it.



During the event will be presenteda project born from the collaboration between  students in sound design with musician Robin Rimbaud (aka Scanner) .An experiment designed to create sensations through electronic experimentation. A 'musical environment in which every emotion is transformed into sound and every note becomes a vision in itself. A 'web of insistent beats and ethereal sound carpets likely to create a' single fascinating work.


The workshop is a collaboration between FDI and Milan Club To Club, started in 2007 and is designed to produce performances and soundscapes which will be presented and performed at the event Viva Club To Club on October 22 in Milan (Space Theater, Via Pompeo Leoni 3) and during the Festival Club To Club on 7 November in Turin (Teatro Gobetti, Via Rossini 8). By following the slogan "State of Independent / Dance", the students' work will focus on issues of national identity and cultural met through the production and processing of sounds. 

Club To Club - Sonic States Perfomance - Part 1 from Giuseppe Albrizio on Vimeo.
The workshop is a collaboration between FDI and Milan Club To Club, started in 2007 and is designed to produce performances and soundscapes which will be presented and performed at the event Viva Club To Club on October 22 in Milan (Space Theater, Via Pompeo Leoni 3) and during the Festival Club To Club on 7 November in Turin (Teatro Gobetti, Via Rossini 8). By following the slogan "State of Independent / Dance", the students' work will focus on issues of national identity and cultural met through the production and processing of sounds.



Club To Club - Sonic States Perfomance - Part 2 from Giuseppe Albrizio on Vimeo.
The workshop is a collaboration between FDI and Milan Club To Club, started in 2007 and is designed to produce performances and soundscapes which will be presented and performed at the event Viva Club To Club on October 22 in Milan (Space Theater, Via Pompeo Leoni 3) and during the Festival Club To Club on 7 November in Turin (Teatro Gobetti, Via Rossini 8). By following the slogan "State of Independent / Dance", the students' work will focus on issues of national identity and cultural met through the production and processing of sounds.



MONOME - Control Surface 2.0



Adaptable, minimalist interfaces

three models: two fifty six (16×16), one twenty eight (16×8), and sixty four (8×8).
each is a reconfigurable grid of backlit keypads which connects to a computer. interaction between the keys and lights is determined by the application running on the computer. there is no hard-wired functionality.
this new series evolved from the 40h which began as an interface for our own music performance and art practice. we also make available a kit version which allows users to create their own 40h-like devices.

Applications

live sample cutters, math simulations, drum machines, generative controllers, tonal maps, games, visualizations. browse here. we make available all sources to encourage community contribution and enthusiasm. we share and thrive.

Design



  • new custom silicone rubber keypads
  • bright orange backlighting
  • clear anodized aluminum top plate, no visible screws
  • hand-crafted black walnut enclosure
  • black rubber bottom lining for non-slip

Pricing

  • two fifty six: $1400
  • one twenty eight: $800
  • sixty four: $500




Monome is a small Catskills-based hardware company that makes controllers for electronic music performance and new media art. Their first product, the 40h, is an eight-by-eight grid of backlit buttons which connects to a computer using a USB cable and the Open Sound Control (OSC) protocol. Originally developed as an open ended performance interface for electronic music, its developers have said "The wonderful thing about this device is that it doesn't do anything really". As a result, developers have begun to use the Monome as an interface for other types of software, from text displays to games.


The word "Monome" is also often used as a name for the various devices that Monome produces.












Monome as a company is committed to a minimalist philosophy both with regards to design on the one hand, and economic and ecological production principles on the other.


Monome's minimalist design philosophy manifests in its production of interface devices that avoid complexity in order to promote greater possible versatility (see Functionality, below). Monome places emphasis on greater accessibility through minimal design, in order to increase the adaptability of the device in terms of software implementation. The name "Monome" itself derives from the mathematical term monomial, a gesture to the concept of many variables made possible through something that is nevertheless singular or simple in nature.


Monome's production approach emphasizes local and sustainable economies. For example, the materials and services involved in the production of their devices are domestic and often found regionally, enabling relationships with those involved in the production. In terms of sustainability, for example, all packaging is recyclable. Furthermore, Monome's open source policy uses distributed development for the software used by its devices.


An active user community maintains Monome documentation and implementation of the devices through open source software applications.




"Living Pictures" is an interactive installation. It allow you to control the drawings of Alexandra Petracchi and play with sounds and pictures.

Draws: Alexanda Petracchi - faitetrit.com
Sound design: Charles Dubois
Animation: Volt'air aka Bart & Anome

Using:
Modul8 + Monomal "Vernissage" Module + Monome 40h

Download the Monomal Module from the online library of Modul8. Monomal Module has been written by Iduun.

MORE INFO AT faitetrit.com AND iduun.com/blog/2008/12/17/tableaux-vivants/







Property Of Vimeo






KARLHEINZ STOCKAHAUSEN - What "Cosmic Pulses"© is

From "Cosmic Pulses":

In KLANG (SOUND), The 24 Hours of the Day, the 13th Hour is entitled COSMIC PULSES
(Electronic Music).
24 melodic loops, each of which has a different number of pitches between 1 and 24, rotate in
24 tempi between 240 and 1.17 rotations per minute in 24 registers within a range of circa 7 octaves.
They are successively layered on top of each other from low to high and from the slowest to the fastest
tempo and end one after another in the same order.
The loops were enlivened by manual regulation of the accelerandi and ritardandi around the respective
tempo, and by quite narrow glissandi upwards and downwards around the original melodies. This
was carried out by Kathinka Pasveer according to the score (see the form scheme).
What is completely new for me is the new kind of spatialisation: each section of each of the
24 layers has its own spatial motion between 8 loudspeakers, which means that I had to compose
241 different trajectories in space. That sounds very technical – and it is.
For the first time, I have tried out superimposing 24 layers of sound, as if I had to compose the orbits
of 24 moons or 24 planets (for example, the planet Saturn has 48 moons).
For making this possible, I am grateful to Joachim Haas and Gregorio Karman, collaborators in the
Experimental Studio for Acoustic Art in Freiburg.
The loops and the synchronisation were realised by my collaborator Antonio Pérez Abellán.
If it is possible to hear everything, I do not yet know. In any case, the experiment is extremely
fascinating!








SONY ROLL - How to play with the music

The Sony Rolly SEP-10BT is a Sound Entertainment Player. It is a combination of a little robot, a little Mp3 player and a little boombox. It plays MP3, ATRAC, or AAC tunes via Bluetooth with A2DP / AVRCP or the 1GB internal memory. Rolly is gonna dance to your music and you can also choreograph it and share your Rolly moves with friends via internet. It has battery life of five hours straight music, four hours of dance and music, or three and a half hours dancing, music, and Bluetooth use together. The Sony Rolly SEP-10BT will be available on the September 29 for ¥40,000 (approx $350) in Japan.




Sound effects demonstration










Rolly™ analyses your favourite music and responds with funky moves - twisting, spinning and flashing his lights to the sound of the beat

The integrated digital amplifier and soft dome speakers give you high quality sound too

Built-in Bluetooth® so you can stream music directly from other enabled devices like PC's, mobiles and Hi Fi systems

Innovative navigation, a twist to choose a track, a shake to shuffle or a turn to change the volume.

Use the bundled software to create your own easy to design dance sequences, then share them online and download your favourite.

Two LED lights give you up to 700 colour options you can add to your dance moves













Sony rolly dancing








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